Archive for July, 2009

Hot Toys Terminator Salvation John Connor Backstage Headsculpt production

Friday, July 31st, 2009

with the previous massive production errors on the headsculpts released for the first batch of connors, Hot Toys had since issued a public apology letter and held back further releases, but it seems that now they’ve fixed their paintwork and manufacturing issues to show us production photos of the to be released final mass production headsculpts of John Connor of Terminator Salvation.

according to Hot Toys, this production line is the first to feature their new PVC material which would be closer and more lifelike, reflecting the realism that of Christian Bale as John Connor.

though i must say i’m not feelin’ the love y’all…..doesn’t look john connor to me at this angle. and the beard’s a tad too much. BUT i’d be patient and hold my tongue. Hope i’d be proven wrong and that this sculpt will blow me away when i have it in hand.

http://stormtroopereffect.blogspot.com/2009/08/hot-toys-terminator-salvation-john.html

HOPE SANCTUARY BOOK SALE - 31st July 2009

Friday, July 31st, 2009

“[The Sanctuary is] always looking for volunteers to help at the Book Sales

To Donate your Time or Books, Magazines & Comics:

(Fiction, Non-Fiction as well as Children’s Books& MORE!)

FACT - This News-Blog has personally donated some surplus books via Mrs Small in Strathclyde


PLEASE CONTACT:


Dominique Maraj: 428 4364 or via e-mail dmaraj@caribsurf.com


For West Coast delivery or pick-up :


Marilyn Weekes: 432-7560
Jennifer Weekes: 432-1181

For St Philip delivery or pick-up:


MaryAnne Kershaw: 423-7905

The Hope Sanctuary: 266 0986

info@thehopesanctuary.com

www.thehopesanctuary.com

http://bajanreporter.blogspot.com/2009/07/hope-sanctuary-book-sale-31st-july-2009.html

Rob Marshall Set For ‘Pirates 4′ Captain’s Seat

Friday, July 31st, 2009

This is an odd marriage if we’ve ever seen one. Rob Marshall (”Chicago,” “Nine“) is set to be named the director for the fourth movie in Disney’s never-ending “Pirates of the Caribbean” saga. Assuming this is declared in a timely manner, the movie is aiming towards a 2010 production start with Johnny Depp to return as the eyeliner heavy Captain Jack Sparrow.

‘Pirates 4’ hasn’t had a director since Gore Verbinski left earlier this year to work on the movie adaptation of the videogame Bioshock,” which has since lost steam. Jerry Bruckheimer and Disney have been searching for someone to take over their $2.6 billion baby ever since.

Marshall’s recruitment also seemingly puts Disney’s plans back on track with production on “The Lone Ranger,” set to follow soon after ‘Pirates.’ What this all means for Depp’s reunion with Tim Burton on “Dark Shadows” though, we’re not quite sure but perhaps, if it’s still on, ‘Shadows’ may shoot before or between the two Disney projects.

Even if a fourth (or a second or third for that matter) ‘Pirates’ probably isn’t necessary, this is sure to be a big money maker for all involved. Now with an Oscar-winning director on board, Disney is surely seeing dollar signs and loving every minute of it. [ BFDealMemo ] - Beau Delmore

http://theplaylist.blogspot.com/2009/07/this-is-odd-marriage-if-weve-ever-seen.html

Superstar Miami real estate agent Carlos Justo plots his comeback

Friday, July 31st, 2009

By TAMARA LUSH, Associated Press MIAMI — It’s the perfect Miami morning at Carlos Justo’s penthouse - warm and bright, with luxury yachts powering through the sparkling blue Atlantic Ocean some 30 stories below. Justo, a 53-year-old real estate agent,…

By TAMARA LUSH, Associated Press

Million Dollar Agent NY301 MIAMI — It’s the perfect Miami morning at Carlos Justo’s penthouse - warm and bright, with luxury yachts powering through the sparkling blue Atlantic Ocean some 30 stories below.

Justo, a 53-year-old real estate agent, has been awake since 3:30 a.m. but he shows no sign of fatigue. His eyes scan back and forth, from the high rise condos, to the water, and back to the condos.

An assistant, sitting at a glass table with her back to the stunning view, is talking business. She wants to know whether he will receive any commissions or checks anytime soon.

"Right now, we don’t have any money," Justo says. He continues talking. Fast. Pacing back and forth, he gazes out the window.

"There’s money to be made," he says, grinning. "I’m creating the team. I’m creating the billion-dollar real estate team."

In fact, Justo is $20 million in debt. He is five months into a massive bankruptcy filing. The IRS is after him for $6 million.

And yet, he dreams.

A Cuban immigrant who came to the United States with nothing, Justo’s is a rags-to-riches-to-rags story, a peculiarly American dream.

Once, he starred on the TLC network program "Million Dollar Agents." There was a time he appeared in social columns for brokering real estate deals for one-named celebrities like J-Lo, Shaq, Versace, and two-named notables like Gloria Estefan, Sylvester Stallone, Rosie O’Donnell.

Like so many of our modern titans - think Donald Trump - he inspires both admiration and contempt. Greed, he acknowledges, fueled his rise. Hubris ensured his fall.

Next time, he says, it will all be different.

Living among the wealthy didn’t come naturally to Justo; he was born in Cuba, and as a child lived without electricity, running water or plumbing.

His family came to Miami in 1967 when Justo was 11. He got his GED at night school but by the time he was 19, Justo had learned English and bought his first home - a modest, stucco triplex - for $20,000 with money he made as a janitor.

For the man who grew up with so little, talking about homes came easily. So he got his real estate license. Early on, he targeted the top end of Miami’s real estate market, the places most folks see on TV: mansions accessorized with palm trees, sugar-sand beaches and turquoise waters.

In 2000, he brokered the $19 million sale of the area’s most famous home, the Ocean Drive mansion where fashion designer Gianni Versace was killed.

Justo’s success was astronomical, the product of his aggressive enthusiasm, uncanny knowledge of the ultra-rich and a phenomenal real estate market.

In 2005, Justo was worth $20 million. He and the agents who worked for him sold $200 million in real estate in a single year. He was also the owner of 12 multimillion dollar estates in the county’s most exclusive enclaves; he intended to eventually flip them and make a profit. Justo and his business partner, Irving Padron, were awarded a prestigious Sotheby’s franchise and opened its offices in one of the few historic mansions in downtown Miami.

His strategy seemed like a sure thing in a city filled with speculation.

Unlike most other brokers in Miami at the time, Justo never dealt in new condominiums - he thought they were too risky. In 2005, he was quoted in the Miami Herald as saying, "I refuse to sell condos; I think it’s irresponsible. They will end up falling on their asses."

Those were the days when Americans were addicted to real estate. It seemed like on every cable channel, there was a different program featuring the nation’s collective obsession. Justo was in the middle of it all; a promo for "Million Dollar Agents" described him as "the biggest fish in Miami’s shark-infested pool of real estate."

Crews filmed him racing maniacally around Miami, showing luxury homes by day (from a helicopter) and going to parties at night (in a chauffeured Rolls Royce). Cameras captured his unorthodox methods of doing business: using a lunar calendar to plan deals, going barefoot during meetings, meditating with his sales team.

Justo was a natural on TV, with his amber eyes, bald head and perpetual tan. His custom-made, silk suits - white or black or occasionally red - looked suspiciously like pajamas, which he wore to closings and clubs alike.

"We get paid for having fun!" Justo roared in one episode.

Justo spent $1,000 on sushi lunches, $3,000 a month on life coaching. He didn’t accumulate many things - he enjoyed sparsely decorated, all-white furniture and rooms - and freely let his friends stay in the various homes he owned.

Justo says that during those years, he "wasn’t operating out of integrity" - and that many of the people surrounding him weren’t, either. Greed and ego were his motivation. He took advice, he says, from the wrong people and didn’t pay attention to details.

He also didn’t make many friends, says Kevin Tomlinson, a real estate blogger and Miami Beach agent who says Justo stole one of his clients in the late ’90s.

"When I got into the business, he was the king. He was the legend that everybody looked and aspired to be," Tomlinson said. "But over the years, his reputation within the broker industry is a mixture of people being afraid or intimidated by him and his success or downright loathing."

Justo took out mortgages he couldn’t afford, tapped into equity, splurged with credit cards. He didn’t diversify his portfolio and didn’t save a penny.

"I knew the market was going to crash," he said. "It was irresponsible what we did, what all of us did in the United States. We took out huge loans, we bought things that people had no business buying."

Friday, Feb. 13, 2009. A clerk at the federal court in Miami stamped "RECEIVED" on Justo’s bankruptcy filing.

For three years, Justo had tried to avoid filing Chapter 7, even borrowing $15,000 from his 85-year-old mother and $75,000 from his 83-year-old aunt to pay his monthly debts. But he was underwater on too many mortgages. There were other creditors, too, including the IRS, which claimed that he should have filed his taxes in the United States, not in the U.S. Virgin Islands, which Justo says is his principal residence.

He was named in two lawsuits, one filed by a former real estate agent who worked for his team, and another by Padron, his former business partner. Both sought hundreds of thousands of dollars, alleging that Justo didn’t pay commissions on various deals.

Justo had no savings, no stocks, no bonds.

His checking account hit bottom at $49.73. His financial picture was summed up in one dry sentence in the bankruptcy filing: "At the current time, the debtor has no income due to the state of the real estate market."

That week, at the urging of a friend, Justo had offered his penthouse as a crash pad to a group of traveling Buddhist monks from Tibet. As the monks chanted in an even baritone, Justo’s mind reeled in turmoil.

"What happens if everything is gone?" he thought.

He wrote a $3,000 check as a donation to the Buddhist monks. It bounced.

Sparked by a former co-worker, Justo had studied New Age and Buddhist philosophy for years, visiting meditation retreats, spiritual centers and monasteries. But somehow, he said, the concepts of attachment and greed never really sank in until he went bankrupt.

It was the scariest thing he had ever done; scarier than meeting Fidel Castro twice in the mid 1990s, more daunting than coming out as a gay man to his parents.

"Fear is not something I’m familiar with," he says.

It was scary, he said, because it forced him to confront the truth: He had failed. He had come close to bankruptcy before, always somehow pulling himself back from the brink by selling a property or getting a loan. There was no safety net this time, not in this economy.

When he first realized he was about to lose everything, Justo wondered whether it was better not to exist at all. It was the first time, he says, that he had ever considered suicide.

"Then I thought, I’m alive, I love my life. I have my health. I don’t have cancer," he says. "I started to realize how little I need to really live."

As he sheds mansions (five have already been taken by the bank, and it seems like the penthouse will be gone soon, as well) and possessions (he only owns about $6,000 worth of stuff, including furniture, clothing and, some Buddhist art), Justo insists that material possessions mean nothing to him.

And if he manages to make money again, he insists he won’t be foolish with it.

"I’m creating a real estate empire based on love," he says, adding that he plans to give large chunks of his cash away to charity - once he puts a million dollars each in the bank accounts of his mother and aunt.

"In the past, I created my own hell. I needed to be brought to my knees," he says. "Whatever you believe, you create. Today, I live in a world with all possibilities."

But for Justo, those possibilities still include luxury. "I’ve been rich and I’ve been poor, and I like being rich a lot better," he says.

He says that after he pays his family back, he wants a yacht. And maybe a personal chef.

Which begs the question: Has he really learned from his mistakes?

It’s 8:30 a.m. on a bright Miami morning and Justo has assembled a dozen people in his penthouse. They sit in a circle facing the boss and drinking coffee.

Four of Justo’s "Billion-Dollar Team" are in attendance. One of his lawyers is there. So is Justo’s masseuse. And a banker who is foreclosing on the penthouse. There’s also an interior designer, a former client who owns a $12 million estate and the architect who is designing Michael Jordan’s Florida home.

Justo talks, nonstop, for nearly two hours. The message: He’s back and ready to sell. If he is afraid of the future - one in which he has to borrow money to pay his bankruptcy attorney, his cell phone bill and food - he’s not showing it. It seems as though Justo is actually having fun talking about his troubles.

"That Bernie Madoff guy, the day he came clean and said he stole all those millions, that’s the day he was freed," Justo says.

It’s Justo’s acceptance of his failure that will propel him back to the top, his friends say.

"I fully expect him to land on his feet," says Jeffrey Rubenstein, one of Justo’s lawyers. "He owns what has happened to him, In this day and age and particularly in Miami, that’s a very unusual thing."

But his brother, Alex Justo, is worried.

"To me, I don’t think my brother needs what he’s trying to build again," said Alex, who thinks his brother should focus on what he’s good at - selling - and not involve others in his success. "Forget about making this billion dollar whatever. There’s no other Realtor in town that does what my brother does. He’s a genius."

Justo and two of his agents descend from the penthouse and hop in a Range Rover - the Rolls Royce is long gone - and they begin a daylong frenzy of appointments and meetings. First, a cup of turbocharged Cuban coffee with his mother. Then, a powwow with his bankruptcy attorney. In the lobby, a flat-screen TV broadcasts a CNN headline: "Good Borrowers Go Bust!"

When Justo emerges from the hour-long meeting, an agent tells him that a Saudi Arabian sheik wants to know if there are any estate rentals in Miami for $20,000 a month. Justo orders the agent to follow up, immediately.

In the car, there are calls to clients, showings arranged, listings discussed. Then, a break for lunch.

There are no more three-hour lunches. Justo and a few of his agents go to South Beach to eat on lounge chairs on the sand. His sales manager - a man from Macedonia who started as his chauffeur three years ago - totes a small bottle of sake in a lunch pail for Justo. Another agent brings a plastic bag filled with plastic foam cartons of ceviche.

Justo kicks off his loafers and strips his white pajama-suit off. He’s down to his black Speedo.

Finally, he’s stopped talking. He runs on the sand alone, toward the turquoise ocean. Wading into the water, he dives, head first, into a wave.

Caption: In this May 29, 2009 photo, real estate agent Carlos Justo conducts a meeting with his billion dollar real estate team at his penthouse in Miami. (AP Photo/Lynne Sladky)

http://miamiherald.typepad.com/gaysouthflorida/2009/07/superstar-miami-real-estate-agent-carlos-justo-plots-his-comeback.html

Lindsay Lohan Wants To Play Marilyn Monroe

Friday, July 31st, 2009

Lindsay Lohan would love to star as Marilyn Monroe in an upcoming remake of  Some Like It Hot. We all saw this one coming. Lindsay has been posing in blonde wigs for over a year now, and we all know she has the vodka and pills bit down. Ah. No, we don’t mean that. That [...]

Lindsay Lohan would love to star as Marilyn Monroe in an upcoming remake of  Some Like It Hot. We all saw this one coming. Lindsay has been posing in blonde wigs for over a year now, and we all know she has the vodka and pills bit down. Ah. No, we don’t mean that. That wasn’t nice. Anyway, according to sources there isn’t a script yet for this remake, but that hasn’t stopped LiLo from dreaming.

90725NQ1_LOHAN_L_B-GRJPG_02 2

more photos of Lindsay after the hop…

A source from SFGate.com says:

“She’s undaunted, but there’s no script and there’s no money. The only thing Lindsay has to sell is herself. She sees herself as the second coming of Marilyn Monroe – misunderstood, talented and in desperate need of an incredible film vehicle that will truly showcase her talents.”

As much as we love this idea (heh) we just think Lindsay is a bit too gritty to play Marilyn Monroe. She’s a bit too weathered. What do you think? Would You watch Lindsay Lohan in a Marilyn Monroe remake?


http://feedproxy.google.com/~r/anythinghollywood/~3/jzUJkqr-gqU/

7 Reasons to Go See ‘The Collector’

Friday, July 31st, 2009

Greetings, dear reader. I realize fully that I already championed The Collector in my review, but I truly stand behind this film and, as you may know, here at Reject HQ we tend to celebrate the movies we love. Perhaps it’s a small hope, shaking nervously in the corner, that some of you out there will take a chance and also find something to love. To that end, I figured I’d enumerate a few reasons to take your chances (and your wallet) with (and to) the theater when this bad boy rolls into town today. And here we….go: 7. Support Your Local Horror-Monger I know, I know. “Buy American” has gone from being Patriotic to being myopically uncultured, but there’s still some honor in it. The Collector is a home-grown, original concept (not a remake, a rehash, or a re-imagining), and it’s certainly not stolen or borrowed from Japan, Korea or Norway. Not only is it genuinely good horror, for everyone out there bitching and moaning about how Hollywood is out of new ideas, here’s a chance to support a few filmmakers that have them. 6. The Calm Before One of the things I admired most about the movie is the patience that the filmmakers had. Sure, it starts with a startling sequence, but then they only spill one drop of blood in the first act. They take their time. They build characters. It’s not a slow burn, and normally a lack of blood would be unthinkable in a horror film, but with the sheer amount of panic in the second act and the buckets that spill, it makes for a really great juxtaposition. Plus, it proves they don’t have to rely on the gore to create tension. 5. The Storm When the blood does start spilling, it never disappoints. When dealing with a psychopath with no back story who never even utters a word throughout the film, it’s difficult to reason with him. He’s there to murder people, and murder them he does. The scenes are augmented by the moments of silence, the attempts not to get caught, and the introduction of even more characters with 10 pints of blood in them. The movie never pounds you over the head with horror, but when blood is let, it’s worth it. 4. Sex, Blood, and Rock & Roll Perhaps this should be at the top of the list, even though I’m going in an arbitrary order anyway, considering that these are the main hallmarks of a great horror movie. Even with limited chances, The Collector still manages to get the shirt off of one beautiful young lady (Madeline Zima, who fans know from “Californication,” and in-context-creepier from “The Nanny). It also spills blood, as I’ve mentioned before, and has a killer sound track of songs from Korn, Bauhaus, Depeche Mode, as well as a fantastic original score from NIN drummer Jerome Dillon. 3. The Mix of Horror People are getting tired of horror. Hell, people should be getting tired of horror. I love Freddy and Jason and Michael, but the bulk of …

TheCollectorHeader

Greetings, dear reader. I realize fully that I already championed The Collector in my review , but I truly stand behind this film and, as you may know, here at Reject HQ we tend to celebrate the movies we love. Perhaps it’s a small hope, shaking nervously in the corner, that some of you out there will take a chance and also find something to love.

To that end, I figured I’d enumerate a few reasons to take your chances (and your wallet) with (and to) the theater when this bad boy rolls into town today.

And here we….go:

7. Support Your Local Horror-Monger

thecollector4

I know, I know. “Buy American” has gone from being Patriotic to being myopically uncultured, but there’s still some honor in it. The Collector is a home-grown, original concept (not a remake, a rehash, or a re-imagining), and it’s certainly not stolen or borrowed from Japan, Korea or Norway. Not only is it genuinely good horror, for everyone out there bitching and moaning about how Hollywood is out of new ideas, here’s a chance to support a few filmmakers that have them.

6. The Calm Before

TheCollector1

One of the things I admired most about the movie is the patience that the filmmakers had. Sure, it starts with a startling sequence, but then they only spill one drop of blood in the first act. They take their time. They build characters. It’s not a slow burn, and normally a lack of blood would be unthinkable in a horror film, but with the sheer amount of panic in the second act and the buckets that spill, it makes for a really great juxtaposition. Plus, it proves they don’t have to rely on the gore to create tension.

5. The Storm

thecollector3

When the blood does start spilling, it never disappoints. When dealing with a psychopath with no back story who never even utters a word throughout the film, it’s difficult to reason with him. He’s there to murder people, and murder them he does. The scenes are augmented by the moments of silence, the attempts not to get caught, and the introduction of even more characters with 10 pints of blood in them. The movie never pounds you over the head with horror, but when blood is let, it’s worth it.

4. Sex, Blood, and Rock & Roll

thecollector7

Perhaps this should be at the top of the list, even though I’m going in an arbitrary order anyway, considering that these are the main hallmarks of a great horror movie. Even with limited chances, The Collector still manages to get the shirt off of one beautiful young lady (Madeline Zima, who fans know from “Californication,” and in-context-creepier from “The Nanny). It also spills blood, as I’ve mentioned before, and has a killer sound track of songs from Korn, Bauhaus, Depeche Mode, as well as a fantastic original score from NIN drummer Jerome Dillon.

3. The Mix of Horror

thecollector8

People are getting tired of horror. Hell, people should be getting tired of horror. I love Freddy and Jason and Michael, but the bulk of horror hitting major theaters these days are either re-treads, franchise renewals, or mainstreamified, glossy versions of older horror. It’s all too Dawson’s Creek for me. The teenagers are CW stars or hot young things climbing the ladder through horror like the generation before them, and it all just seems the same. On the other end of the spectrum, there’s the rise (and fall) of torture porn that took all of half a year. By taking a few cues from 1970s horror (what a great decade for it), writers Marcus Dunstan and Patrick Melton have blended scenes so that none of it becomes stale. There are a few traps (though nothing as elaborate and intense as Saw), a few moments with a tongue in a pair of pliers (there’s your torture), a few near misses, a few quick and dirty, a few Oh Shit fight moments, and a few chest-heaving, thick tension moments. Since it’s not two hours of the same kinds of death and viscera, it’s always engaging.

2. It’s Not Saw

thecollector5

This needs some clarifying, especially since I loved the first Saw. It’s no secret that director Marcus Dunstan and writer Patrick Melton are also the co-writers of Saw IV, Saw V, and the forthcoming Saw VI. There are also a few out there who will see this is as just another entry into the Saw franchise. Those people could not be further from correct. In fact, thinking that it’s even a close relative of Saw is pretty obtuse.

I get it. There’s traps. But that’s where the comparisons end. Where Saw is bloated with story, The Collector is lean without an inch of fat on it. Where Saw focuses on one style of brutal torture-death, The Collector has a lot more tricks up his sleeves. Where the cinematography of Saw is an unintelligible orgy of gymnastic cameras, The Collector is restrained and clean. The list of differences goes on and on. However, this film is just as good if not better than the first Saw – an independent film that spawned a sick amount of sequels. With any luck, we’ll see more from The Collector.

1. Those Who Know Horror, Love It

thecollector6

If you give a shit what mainstream critics think, it looks like this film is a Torture Porn flick with no soul. But it’s not. I may not write Coroner’s Report for the site, but I know my horror. I can pick out Bava from Argento in a line up, and I really dug this movie. So did a lot of horror fans:

Finally an American horror movie that is brutal without being a freak show. An American horror movie that is a legitimate throw back to an era gone by without having to yuck it up. An American horror movie that tortures people without devolving into torture porn. An American horror movie made outside of a major studio umbrella that doesn’t give a shit how small its budget may be, that doesn’t have to shortcut tough logistics with insert shots and cutaways,” Peter Hall from HorrorsNotDead gave it a B+.

Several shots, particularly in the opening sequence, took my breath away and as the film progresses it only gets better. What is best about how this film is built is that there is a very claustrophobic sense of tension that is instrumental in making sure this film is not merely trap after trap and kill after kill (although, from a gore lover’s perspective, there’s more than enough blood to keep you satisfied). From the lighting to the incredible music (provided by none other than Depeche Mode and Korn), there is so much here for a horror fan to revel in,” Kayley Viteo from BrutalAsHell gave it 4 out or 5.

In The Collector nothing is sacred, and while the violence serves the narrative without being superfluous (as edited by Alex Luna and James Mastracco, the action is a crisp and jarring), Dunstan clearly also realizes that which horror fans desire: a leap from their seats,” Sean from Dread Central gave it 4 out of 5.

There is real potential behind this film and Freestyle Releasing is doing such a great thing for horror fans by getting this into theaters. The could be just the beginning folks, you need to witness the birth of THE COLLECTOR in theaters this July or this potential icon will become just a myth…,” MrDisgusting from Bloody Disgusting gave it 7/10.

There’s an entire gang of critics behind this thing. People that love and respect horror.

I understand if you’re skeptical. The trailer didn’t knock my socks off, and with the sheer amount of crap horror coming out these days (and the marketing campaigns necessary to sell them), it would seem like The Collector is another schlock entry into a world already chock-full of boring shit.

It’s not. It’s genuinely good horror for horror fans. So if that’s you, I’d urge you to give it a shot.


http://www.filmschoolrejects.com/features/7-reasons-to-go-see-the-collector.php

Reelz Channel 360 Footage Online

Friday, July 31st, 2009

Here’s TwiCon Via ReelzChannel 360. .syn{font-family:Arial;font-size:11px;padding:5px;width:470px;background:#585858;border-top:1px solid #777777;color:#ccc;} .syn a {color:#ccc;} New MoonTwicon If you’re at TwiCon  give a shout out and tell us in the comments what the best part is so far. From Twitter it sounds like Sam Bradley is a big hit and that people are looking forward to a 100 Monkeys Concert tonight. Mitch [...]

Here’s TwiCon Via ReelzChannel 360.



New Moon
Twicon

If you’re at TwiCon  give a shout out and tell us in the comments what the best part is so far. From Twitter it sounds like Sam Bradley is a big hit and that people are looking forward to a 100 Monkeys Concert tonight. Mitch Hanson and The Bella Cullen Project also played today. Plus there was a podcast by Twilight Series Theories and a webmasters panel that included Kaleb Nation.



http://feedproxy.google.com/~r/TwilightLexicon/~3/z2UVyz9MGpM/

Quote Of The Day: David Beckham

Friday, July 31st, 2009

“I’m very passionate about cleanliness and housework. I love to vacuum.” David Beckham, Claims He Is A Domestic God Ummmm, can this man be anymore perfect? Good grief. Tags: David Beckham, quote of the day Related posts Victoria Beckham Low-Maintenance? (0) Tom and Katie’s Thanksgiving Fiesta. (0) The Big Event Is Approaching For The Cruise Couple. (2) The Beckhams As Normal [...]
http://www.celebrityviplounge.com/blog/2009/07/31/quote-of-the-day-david-beckham/

Must Watch: Second Full Trailer for Hayao Miyazaki’s Ponyo

Friday, July 31st, 2009

Yet another full-length trailer for Hayao Miyazaki’s Ponyo has debuted today just two weeks before it finally hits US theaters. I had the chance to see Ponyo recently and it is a truly wonderful film. It harkens back to Miyazaki’s older, more kid-focused work, like My Neighbor Totoro and Kiki’s Delivery Service. I also had the chance to meet and interview Miyazaki, so stay tuned for that. Even though this is a very much a kids movie, adults can still enjoy it, especially if you’re looking for something just to sit back and escape from reality with for a few hours. Anyway, check out this trailer and catch Ponyo in theaters soon. Enjoy! Watch the second full trailer for Hayao Miyazaki’s Ponyo: You can also watch the second trailer for Ponyo in High Definition on Yahoo An animated adventure centered on a 5-year-old boy and his relationship with a goldfish princess who longs …

Ponyo

Yet another full-length trailer for Hayao Miyazaki’s Ponyo has debuted today just two weeks before it finally hits US theaters. I had the chance to see Ponyo recently and it is a truly wonderful film. It harkens back to Miyazaki’s older, more kid-focused work, like My Neighbor Totoro and Kiki’s Delivery Service. I also had the chance to meet and interview Miyazaki, so stay tuned for that. Even though this is a very much a kids movie, adults can still enjoy it, especially if you’re looking for something just to sit back and escape from reality with for a few hours. Anyway, check out this trailer and catch Ponyo in theaters soon. Enjoy!

Watch the second full trailer for Hayao Miyazaki’s Ponyo:

You can also watch the second trailer for Ponyo in High Definition on Yahoo

An animated adventure centered on a 5-year-old boy and his relationship with a goldfish princess who longs to become human. You can also check out an old Japanese teaser trailer right here if interested.

Ponyo on the Cliff is both written and directed by master animator Hayao Miyazaki , of Castle in the Sky, My Neighbor Totoro, Princess Mononoke, Spirited Away, and Howl’s Moving Castle previously. The film was animated at the legendary Studio Ghibli. This was released in Japan last summer and was a huge hit at the box office. Disney is bringing Ponyo on the Cliff, now known as just Ponyo, to theaters on August 14th .

Discover More: Indies , Trailers , Worth Watching

http://feedproxy.google.com/~r/firstshowing/~3/tqAcRH89TaI/

‘Funny People’ looks out for number one

Friday, July 31st, 2009

While almost everyone in the industry thinks Funny People (3,008 screens) will be able to grab the number one spot this weekend, its exact gross is more uncertain, with estimates ranging from $20 to $30 million. The film itself is…

While almost everyone in the industry thinks Funny People (3,008 screens) will be able to grab the number one spot this weekend, its exact gross is more uncertain, with estimates ranging from $20 to $30 Funny people act million.  The film itself is similarly ambiguous, uneven and not immediately satisfying.  It's the kind of movie you keep on thinking about after the lights go up.  While I liked it far less than The 40-Year-Old Virgin or Knocked Up, it's a film I would want to revisit a few more Judd Apatow pictures down the line.  Since Universal announced today that it signed a three-picture deal with Apatow, including an option for him to make films outside the studio, it looks as though the writer-director will have several more chances to add to his body of work.  FJI's Executive Editor Kevin Lally called the death-centered comedy Apatow's "most ambitious film, which is both a good and bad thing for the audience. Good, because he’s not playing it safe and repeating himself; bad, because the movie falls short of fulfilling its risky ambitions."  I suspect this movie will underperform, but its risk-taking increases my respect for Apatow as a director.

Going to battle against the numerous kid films in release, Aliens in the Attic will open in 3,106 theatresAliens attic It's expected to perform below Harry Potter 6 and G-Force, making it a likely candidate for the number four spot.  With its horror-lite tone and High School Musical star Ashley Tisdale, the movie is likely to do best among young boys.

Horror film The Collector will scare audiences in 1,325 theatres.  While the movie wasn't screened for critics, its trailer has rather striking visuals, and the tale comes from the writers of the Saw sequels.  The premise is intriguingly moralistic: a thief breaks into a house, only to discover that the family has been held captive by something or someone far more sinister–and he helps save the family he intended to rob.

On the specialty front, documentary The Cove opens in 4 theatres.  The filmmaking activists pursue their Thirst goal–to record the inhumane slaughter of dolphins in Taiji, Japan–Ocean's Eleven style, adding suspense and allowing the audience to viacriously join the crusade.  Vampire film Thirst opens on 4 screens.  I adored the "cinematic maelstrom of bloodlust and sensual obsession projected through Park Chan-wook's runaway imagination," but its graphic, depraved representation can be difficult to watch and is certainly not for everyone.  Adam , a "sensitive but not sentimental" romance in which one party has Asperger's, opened Wednesday on 4 screens, and Lorna's Silence , a Danish film from the award-wnning Dardennes Brothers about the relationship between a drug addict and the woman who married him for immigration reasons, will appear on 6 screens in New York and L.A.  For family audiences and those seeking specialty fare (I would almost count Funny People in that category), it's another jam-packed summer weekend.

http://nbm.typepad.com/screener/2009/07/funny-people-pick-for-number-one-film.html